Neil Smith
BBC
September 27, 2008
From Butch Cassidy and Cool Hand Luke to Fast Eddie Felson, Paul Newman brought an integrity, vigour and wry impertinence to his roles that clicked with the anti-authoritarian spirit of the ’60s and ’70s.
Initially hamstrung by those piercing blue eyes and matinee idol features, he deliberately sought out more challenging, anti-heroic parts that ensured his career outlasted many of his contemporaries.
His characters – convicts, outlaws, con men and hustlers – were far from admirable. His gift, however, was to invest them with a charm, humour and crumpled nobility that made them irresistible to men and women alike.
It was this that enabled him in later life to become a distinguished character actor capable of elevating films like Road to Perdition, Message in a Bottle and The Hudsucker Proxy by his sheer force of presence.
Screenwriter William Goldman, who worked with Newman on Harper and Butch Cassidy and the Sundance Kid, once described him as “the least star-like superstar” he’d ever met.
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