Tim Teeman
The Times Online
Septmeber 30, 2009
[efoods]A conversation with Gore Vidal unfolds at his pace. He answers questions imperiously, occasionally playfully, with a piercing, lethal dryness. He is 83 and in a wheelchair (a result of hypothermia suffered in the war, his left knee is made of titanium). But he can walk (“Of course I can”) and after a recent performance of Mother Courage at London’s National Theatre he stood to deliver an anti-war speech to the audience.
How was his friend Fiona Shaw in the title role? “Very good.” Where did they meet? Silence. The US? “Well, it wasn’t Russia.” What’s he writing at the moment? “It’s a little boring to talk about. Most writers seem to do little else but talk about themselves and their work, in majestic terms.” He means self-glorifying? “You’ve stumbled on the phrase,” he says, regally enough. “Continue to use it.”
Vidal is sitting in the Connaught Hotel in Mayfair, where he has been coming to stay for 60 years. He is wearing a brown suit jacket, brown jumper, tracksuit bottoms; his white hair twirled into a Tintin-esque quiff and with his hooded eyes, delicate yet craggy features and arch expression, he looks like Quentin Crisp, but accessorised with a low, lugubrious growl rather than camp lisp.
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